Easy Tiger is a lilting and beautiful country-ish record that solidifies Ryan Adams’s position as one of the premier singer/songwriters of his generation. It is one of his most polished works, which may not seem like good thing (no one ever complained that Exile on Main Street needed more polish); but his newfound sobriety brings with it a maturity and discipline that, believe it or not, he wears well. At 38 minutes, the record seems to end too soon- a welcome respite in the digital age– and in my book when you want to go back and play the thing all over again, that is generally a very good sign.

Meanwhile the Cardinals continue to evolve and solidify as one of the best bands around. Neil Casal’s guitar is piercing and articulate; Jon Graboff’s pedal steel provides a lot of the feel and color. Every member of the band save for Adams and drummer Brad Pemberton has turned over since Cold Roses (2005), and yet they keep getting better and tighter, as their live shows continue to demonstrate. While the feminine presence of former bassist Catherine Popper is missed in the vocal mix, Chris Feinstein manages to push the Cardinals musical chemistry forward on his first record with the band.

The waltzes “Goodnight Rose” and “Tears of Gold” harken back to the country sounds of Jacksonville City Nights; either song would fit seamlessly on that record. “Two,” which Adams has been playing live for 18 months, is done as a duet with Sheryl Crow, a Cardinals fan who’s voice melds in a pretty way with his. Like a lot of Adams’s best songs, this one manages with simple language to capture the pure hurt of love; “It takes two, when it used to take only one…”

“Halloween Head” is a little anomalous here, done as a punkish garage rocker; what keeps it from being jarring is the insane catchiness of it. “Pearls On a String,” yet another beautiful song, contains lines that nicely sum up Adams’s prolific output: “Tomorrow’s on it’s way/ And there’s always new songs to sing.”

Adams and the Cardinals have been touring to support this record as an acoustic 6-piece, with producer Jamie Candiloro on piano and Adams putting his guitar aside (hand trouble.) The acoustic treatment brings out the richness in this material, the timelessness of the compositions. For those of us who enjoy artists like Neil Young, Van Morrison, and the Band, and who still treasure the classic records these artists made, Ryan Adams and the Cardinals are a contemporary treasure.